Pour femme
Michelle
Accords principaux
Description
Michelle de Balenciaga est une fragrance florale pour femme. Lancée en 1979, cette composition a été créée par le parfumeur François Caron. Ses notes de tête déploient la gardenia, des notes vertes, du coco, des aldéhydes et de la pêche. Le cœur de la composition se construit sur le nard, l'ylang-ylang, le géranium, le jasmin, l'iris, la rose et l'orchidée, tandis que les notes de fond révèlent le mousseron, la vanille, le benjoin, la muscade, le santal et le vétiver.
Résumé rapide
Quand la porter (votes)
Notes clés
Communauté
242 votes
- Positif 89%
- Negatif 8,7%
- Neutre 2,1%
Pyramide olfactive
Structure complète de la fragrance : de la tête au fond.
Communauté
Ce que disent les utilisateurs sur la possession, la préférence et le meilleur moment pour la porter.
Possession
L'ont-ils, l'ont-ils eue ou la veulent-ils ?
Préférence
Comment la communauté évalue cette fragrance.
Usage recommandé
Saison et moment de la journée avec le plus de votes.
Où acheter
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Résumé des votes sur la longévité, le sillage, le genre et la perception du prix.
Longevidad
Escasa
Débil
Moderada
Duradera
Muy duradera
Estela
Suave
Moderada
Pesada
Enorme
Género
Femenino
Unisex femenino
Unisex
Unisex masculino
Masculino
Precio
Extremadamente costoso
Ligeramente costoso
Precio moderado
Buen precio
Excelente precio
Avis
Retours réels de la communauté sur l'usage quotidien, la tenue et le sillage.
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3 avis
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Un autre parfum brutal qui n’est plus disponible.
Seeing Alex’s photo today reminded me of Michelle an old Balenciaga almost unknown and truly undervalued. It is not a discontinued myth; it deserves its reputation. It was an incredibly rare perfume: cold green floral and balsamic very novel. Imagine a seventies aldehydic floral creamy and radiant with tuberose and coconut smelling of old lacquer. But Michelle is none of that. It was unclassifiable a divine mix of white sexuality with herbs and mossy metallic finishes. The result smells like malachite or cold jade balsamic in celadon tones moss and white/grey. The floral base with carnation and lacquer aldehydes rests on abstract floral foundations with a vanilla-jasmine touch. The funny thing is that on top of these classic pillars you get flashes of cold narcotic sweetness young green neroli citrus and herbaceous notes with a non-indolic green jasmine and neroli that joined to the woody non-beachy coconut leave you intrigued. Michelle managed to make a day perfume smell exotic erotic and sensual. When I tried it (I have minis and old vials) I imagine a minimalist Asian exoticism like China or Japan with cold tones like jade carved bone and mother-of-pearl the coldness of white makeup the fall of a simple kimono. It’s not Oriental but it evokes a sober and elegant East. It is an overwhelming richness that shines on its own without going down resinous or trite paths. Michelle smelled like Michelle; few perfumes smell so much like themselves. P.S.: The coconut is great it doesn’t remind you of the beach or tropics just like in Versace’s Crystal Noir which shares coconut and milky white gardenia but Balenciaga is more seventies with tuberose tasting of steel due to the aldehydes and greens while Versace is more androgynous floral woods. P.S. II: The dry-down on clothes smells like something really expensive; the metallic green in the background brings me back to Alada a Spanish perfume from the eighties with a pristine artificial glassy green. P.S. III: It would be perfect for a young Kathleen Turner a woman you fall for her beauty wearing a white shirt that doesn’t hide the coldness and sexuality she projects. Michelle was a very selfish perfume.
Seeing Alex’s photo today reminded me of Michelle an old Balenciaga almost unknown and not undervalued. It is not a discontinued myth; it deserves its reputation because it was an incredibly rare perfume: cold green floral and balsamic very novel. Imagine a seventies aldehydic floral creamy and radiant with tuberose and coconut and add the smell of old lacquer. Michelle is not that; it is unclassifiable: white sexuality with herbs and mossy metallic finishes. It smells like malachite or cold jade balsamic in celadon and greyish white tones. The floral base with carnation and lacquer aldehydes is supported by an abstract paste of flowers and a vanilla-jasmine touch. The funny thing is that on top of these classic pillars your nose receives flashes of cold narcotic sweetness young green neroli citrus and herbaceous notes with a non-indolic green jasmine and neroli that together with the woody non-beachy coconut leave you intrigued. Michelle mixed things so well that a day perfume smelled exotic erotic and sensual. When I tried it (I keep minis and old vials) I imagine a minimalist Asian exoticism like China or Japan with cold tones like jade carved bone and mother-of-pearl the coldness of white makeup and the fall of a simple kimono. It’s not Oriental but it evokes a sober and elegant East. It is an overwhelming richness that shines on its own without going down resinous or trite paths. Michelle smelled like Michelle; few perfumes smell so much like themselves. P.S.: The coconut is great it doesn’t remind you of the beach or tropics like in Versace’s Crystal Noir which shares coconut and milky gardenia but Balenciaga is more seventies with tuberose tasting of steel due to the aldehydes and greens while Versace is more androgynous floral woods. P.S. II: The dry-down on clothes smells like something really expensive; the metallic green in the background brings me back to Alada a pristine artificial glassy green from the eighties. P.S. III: It suits a young Kathleen Turner perfectly a woman you fall for her beauty wearing a white shirt that doesn’t hide the coldness and sexuality others perceive. Michelle was a very selfish perfume.